Spiders on Acid (S02E07)

In this episode of season 2 of Bizzarro Bazar: the scientist who drugged spiders; a Ticuna ritual mask; the secret hidden in a bishop’s coffin.

Produced in collaboration with the Musei Civici di Reggio Emilia.
Directed & animated by Francesco Erba.

Strange Connections (S02E06)

In this episode of season 2 of Bizzarro Bazar: the mysterious ways in which your day is influenced by events far away in time and space; a series of curiosities from the Cabinet of Comparative Anatomy; a formidable weapon capable of terrifying enemies.

Produced in collaboration with the Civic Museums of Reggio Emilia.
Directed & animated by Francesco Erba.

Dr. Incubator (S02E05)

In this episode of season 2 of Bizzarro Bazar, produced in collaboration with the Civic Museums of Reggio Emilia: how the Luna Park in Coney Island saved thousands of lives; two strange objects from the cabinets of Lazzaro Spallanzani; the Doctor who shrunk corpses.

Make sure you tun on English subtitles, and enjoy!

Directed & animated by Francesco Erba.

Love Beyond Death (S02E04)

In this episode of season 2 of Bizzarro Bazar: a macabre story of obsession and death; a wonderful coral showcase that belonged to Lazzaro Spallanzani; people growing horns.

Make sure you tun on English subtitles, and enjoy!

Produced in collaboration with the Civic Museums of Reggio Emilia.
Directed & animated by Francesco Erba

The Enchanted Glasses

At the age of 18 I had eye surgery, thus getting rid of the glasses I wore since I was a child.
But many years spent between books and laptops, for twelve hours a day, begin to take their toll, and now I’m back to putting on glasses again. I thus rediscovered an enchantment that I had almost forgotten.

Wearing glasses has a double advantage: you can put them on, and take them off.
You can look at things clearly when you need to. If, on the other hand, I take off my glasses and don’t try to focus, rather I relax the muscles around my eyes as much as possible, reality becomes an impressionist painting. The tiniest or most distant details merge into esoteric forms, the identity of which I delight in guessing or inventing, looking for the most implausible solutions (I know that indistinct shape looking out the window above cannot be a horse’s head, but what if it was?). While walking in the park, I can even pretend to be an explorer of an alien world, with my helmet visor fogged up!
In the twilight, then, each room becomes mysterious. My own collection — as I often change places for the various pieces — is no longer familiar to me, if I look at it from a distance. I no longer remember what I put on that shelf, but there’s an object that appears as a soft and uncertain, milky brush stroke… it would be enough to put the glasses back on to know exactly what it is, and it’s enough to not put them on in order to stay lost in the reverie.

Yet it is not just a game. Having these two senses of sight available gives access to two different sensitive realities. One is defined, and allows to be navigated in safety; the other is of an imperfect and wavering beauty, as if lit by a flickering candle. One is dry, the other soft. One is subtle and precise, the other full of nuances.
They are complementary perspectives, even on a philosophical level: seeing everything clearly is useful but sad, like always being sober; seeing blurred gives access to the particular poetry of the unfinished but it is incapacitating, like always being drunk.

In his book In Praise of Shadows, Jun’ichirō Tanizaki wrote:

Remove the lid from a ceramic bowl, and there lies the soup, every nuance of ist substance and color revealed. With lacquerware there is a beauty in that moment between removing the lid and lifting the bowl to the mouth when one gazes at the still, silent liquid in the dark depths of the bowl, its color hardly differing from that of the bowl itself. What lies within the darkness one cannot distinguish, but the palm senses the gentle movements of the liquid, vapor rises from within forming droplets on the rim, and the fragrance carried upon the vapor brings a delicate anticipation. What a world of difference there is between this moment and the moment when soup is serverd Western style, in a pale, shallow bowl. A moment of mystery, it might almost be called, a moment of trance.

And finally there is one last wonder: without glasses, I can observe my own gaze. That is, I can concentrate on the “filter”, that slight blur that stands between me and reality and makes my vision so indecipherable. I am allowed to contemplate slight changes in the way the world presents itself: according to the light, to my own tiredness, to the dispositions of my heart.

This filter is the gift that time has given me, passing over my eyelids and depositing the patina of the past.

 

The Royal Dwarf Wedding (S02E03)

In this episode of season 2 of Bizzarro Bazar, produced in collaboration with the Civic Museums of Reggio Emilia: the secret behind the grotesque wedding organized by Tsar Peter the Great; the story of a sperm whale cub that beached in Italy in the 1930s; the black flood that swept a neighborhood in Boston in 1919.

Directed & Animated by Francesco Erba.

Dr. Cotton’s Horrible Operations (S02E02)

In this episode of the second season of Bizzarro Bazar, produced in collaboration with the Civic Museums of Reggio Emilia: a doctor who wanted to solve psychiatric disorders with dentist pincers; a strange and monstrous fish that belonged to Lazzaro Spallanzani; the goth prostitutes of ancient Rome.

Directed & Animated by Francesco Erba.

Jack & Jackie, extraordinary baboons (S02E01)

Here is finally the first episode of the new season of Bizzarro Bazar, produced in collaboration with the Musei Civici di Reggio Emilia, directed and animated by Francesco Erba.

In this episode: the incredible exploits of two South African baboons; an ancient and spectacular herbarium; a bizarre legend about post-mortem photography.

Turn on English Subtitles and if you enjoy this video, spread the word!

Inventarium

In this strange period dominated by a sense of distance, together with my association L’Arca degli Esposti we decided to give life to a collective and shared dream: therefore I call out for all the artists, creatives, writers, poets, musicians, surrealists and ‘pataphysicists who follow this blog!

Our new project is called Inventarium, a real multimedia illustrated dictionary of Fantastic Gnosis, signed by contemporary artists who are invited to coin a term, define it and provide an iconic and / or audiovisual representation of it.

A surreal collection of figurative neologisms, of fantastic binomials and evocative connections which, following the lead of the Codex Seraphinianus (a fantasy encyclopedia written in asemic characters and illustrated by Luigi Serafini in the seventies, widely appreciated by notable authors such as Italo Calvino, Federico Fellini, Tim Burton, etc.), intends to map an alternative world dreamed and composed, piece by piece, by the artists.

A visionary enterprise that will take the form of a permanent and constantly evolving collective exhibition / encyclopedia, which can be consulted online on the association’s social channels and, in an organic way, on the association website.

Inventarium currently includes the following thematic/oneiric sections:

ETHNOGRAPHY
Impracticable Customs, Dictionary of Chimeric Fashion, Pataphysical Culinary Art
NATURE
Fantastic Bestiary, Magical Herbarium, Anthology of Non-existent Fossils and Minerals
SYMBOLS & PSEUDOSCIENCES
Insurrectional Physiognomy, Capricious Anatomy, Alchemy of Contemporary Ether
GEOGRAPHY
Atlas of Metaphysical Cities

Alongside the artists invited by the curators, sumbissions from every geographical area are welcome.
Contributions must be submitted via email at [email protected]

So bring it on, unleash your imagination, invent new words and give them life through your works!