The Ouija Sessions Ep.4: Joseph Pujol

In the new video of The Ouija Sessions I tell you about the amazing career of Joseph Pujol aka Le Pétomane, fart artist at the Moulin Rouge.

(Turn on Eng Subs!)

Totentanz

Today I’d like to introduce you to one truly extraordinary project, in which I am honored to have participated. This is Totentanz, created by engraver and paper maker Andrea De Simeis.

One of the depictions of death that, from the Middle Ages to the seventeenth century, enjoyed greater fortune is the so-called Triumph of Death.
I talked about it on YouTube in my video Dancing with death: the Black Queen who, armed with a scythe, crushes everyone under the wheels of her chariot – peasants, popes, rulers – was not just a pictorial representation, but a concrete part of the festivities of Carnival. In fact, the Triumph also paraded among the carnival floats, surrounded by people masked as skeletons who mocked the spectators by dancing and singing poems centered on memento mori.

This is the tradition that Andrea De Simeis drew on to invent his modern Triumph of Death, an actual musical chariot that will parade across Italy and, virus permitting, across Europe, bringing joy and poetry but at the same time reminding us of our finiteness.

Totentanz (German for “danse macabre”) is a large wooden music box on wheels; at the turn of the crank, the machine plays a dies irae and  three cylinders start turning, thus rotating eighteen original illustrations.

The images in this carousel are inspired by the most famous European macabre dances: from the Holy Innocents’ Cemetery in Paris to Guy Marchant‘s woodcuts; from Holbein’s superb engravings to the magnificent silhouettes by Melchior Grossek; up to the ironic Mexican skeletons by José Guadalupe Posada, the inventor of the iconic Calavera Catrina.

The music box, at the end of its delicate motif, draws a booklet for its operator: an illustrated plaquette with a short dialogue, a maxim, an aphorism, a poem.

Each precious booklet is produced in only eleven copies; the illustrations and texts are printed on hand-laid paper in pure cotton cellulose, hemp and spontaneous fig from the Mediterranean vegetation.

The Italian authors who accepted the invitation to write these short texts are many and prestigious; you can discover some of them on the Facebook page of the project.

Among these, I too tried my hand at a poem to accompany the illustration entitled “The Hanged Man”. It is my small tribute to François Villon and his Ballade des pendus.

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The proceeds from these publications will fund the Totentanz music box’s trip from city to city, accompanied at each stage by performances by a musician or actor who will interpret the theme of the memento mori. Totentanz‘s initiatives are not for profit, but only serve to finance this tour.
If the initiative fascinates you, you can support it in many ways.
In the promotional video below you can see the fantastic machine in action:

Totentanz – Paramusica del Chiarivari: official website, Facebook page.

The Ouija Sessions Ep.3: LoBagola

At the beginning of the 20th century a famous “savage” bewitched the West: in the third episode of The Ouija Sessions, his spirit tells us about the incredible way he stayed afloat in a world that made the Exotic a circus attraction.

[Turn on English subtitles!]

Il boia gentile

Sorry, this post is only available in Italian.

È finalmente disponibile in preordine un libretto che, credo, farà la gioia di più di un lettore: si tratta di Memorie di un boia che amava i fiori, edito da Bakemono Lab, scritto da Nicola Lucchi, illustrato da Stefano Bessoni e corredato da un mio saggio sulla decapitazione.

La storia è quella di Charles-Henri Sanson, boia parigino che durante la rivoluzione francese eseguì circa 3000 esecuzioni tramite ghigliottina. Il racconto della vita di Sanson, che Nicola Lucchi ha voluto rivisitare con un esercizio di equilibrismo tra vicende sanguinose e toni delicati, ci svela un retroscena insospettato, e cioè che quest’uomo pur essendo uno dei boia più “prolifici” della storia rimase sempre combattuto riguardo alla pena di morte. Animo colto e gentile, suonatore di violino con l’hobby delle erbe medicinali, Sanson era noto per la caritatevole empatia che mostrava verso le sue vittime, a cui offriva spesso conforto prima dell’esecuzione. La sua figura contribuì a umanizzare il mestiere del carnefice anche agli occhi del pubblico.

Il volume è illustrato da Stefano Bessoni, che chi legge questo blog conosce ormai benissimo: i suoi disegni macabri e poetici sono il perfetto complemento per la storia stralunata del boia con la passione per i fiori.

L’ultima ventina di pagine è occupata da un mio saggio sulla decapitazione attraverso la storia, e su come l’introduzione della ghigliottina non solo cambiò il modo di guardare alle esecuzioni ma diede anche inizio a una querelle filosofica sulla metafisica dell’anima.

Fino al 31 ottobre 2020, chi ordinerà il libro a questo link avrà diritto a uno sconto sul prezzo di copertina e riceverà la sua copia con disegno di Stefano Bessoni.

 

The Ouija Sessions Ep.2: Annie Taylor

Brace yourselves, the spirit who contacted me in this episode is that of Annie Taylor, a real badass woman protagonist of a daring stunt that made history.

(Remember to turn on the English subtitles.)

The Ouija Sessions Ep.1: Mattio Lovat

Here is the first installment of The Ouija Sessions, a new miniseries by Bizzarro Bazar.
In this episode my ouija board suggested me to tell you the incredible story of Mattio Lovat, who was found crucified outside a balcony in Venice.

Remember to subscribe to my channel, if you haven’t already; turn on the English subtitles & enjoy!