The Grim Reaper at the Chessboard

Nov27

Few games lend themselves to philosophical metaphors like the game of chess.
The two armies, one dark and one bright, have been battling each other for millennia in endless struggle. An abstract fight of mathematical perfection, as mankind’s “terrible love of war” is inscribed within an orthogonal grid which is only superficially reassuring.
The chessboard hides in fact an impossible combinatory vertigo, an infinity of variations. One should not be fooled by the apparent simplicity of the scheme (the estimate of all possible games is a staggering number), and remember that famous Pharaoh who, upon accepting to pay a grain of wheat on the first square and to double the number of grains on the following squares, found himself ruined.

The battle of 32 pieces on the 64 squares inspired, aside from the obvious martial allegories, several poems tracing the analogy between the chessboard and the Universe itself, and between the pawns and human condition.
The most ancient and famous is one of Omar Khayyám‘s quatrains:

Tis all a Chequer-board of nights and days
Where Destiny with men for Pieces plays:
Hither and thither moves, and mates, and slays,
And one by one back in the closet lays.

This idea of God moving men over the chessboard as he pleases might look somewhat disquieting, but Jorge Luis Borges multiplied it into an infinite regress, asking if God himself might be an unknowing piece on a larger chessboard:

Weakling king, slanting bishop, relentless
Queen, direct rook and cunning pawn
Seek and wage their armed battle
Across the black and white of the field.

They know not that the player’s notorious
Hand governs their destiny,
They know not that a rigor adamantine
Subjects their will and rules their day.

The player also is a prisoner
(The saying is Omar’s) of another board
Of black nights and of white days.

God moves the player, and he, the piece.
Which god behind God begets the plot
Of dust and time and dream and agonies?

This cosmic game is of course all about free will, but is also part of the wider context of memento mori and of Death being the Great Leveler. Whether we are Kings or Bishops, rooks or simple pawns; whether we fight for the White or Black side; whether our army wins or loses — the true outcome of the battle is already set. We will all end up being put back in the box with all other pieces, down in “time’s common grave“.

It comes as no surprise, then, that Death many times sat at the chessboard before Man.

In the oldest representations, the skeleton was depicted as cruel and dangerous, ready to violently clutch the unsuspecting bystander; but by the late Middle Ages, with the birth of the Danse Macabre (and possibly with the influence of the haunting but not malevolent Breton figure of Ankou) the skeleton had become unarmed and peaceful, even prone to dancing, in a carnival feast which, while reminding the viewer of his inevitable fate, also had an exorcistic quality.

That Death might be willing to allow Man a game of chess, therefore, is connected with a more positive idea in respect to previous iconographic themes (Triumph of Death, Last Judgement, the Three Kings, etc.). But it goes further than that: the very fact that the Reaper could now be challenged, suggests the beginning of Renaissance thought.

In fact, in depictions of Death playing chess, just like in the Danse Macabre, there are no

allusions or symbols directly pointing to the apocalyptic presence of religion, nor to the necessity of its rituals; for instance, there are no elements suggesting the need of receiving, in the final act, the extreme confort of a priest or the absolution as a viaticum for the next world, which would stress the feeling of impotence of man. Portrayed in the Danse Macabre is a man who sees himself as a part of the world, who acknowledges his being the maker of change in personal and social reality, who is inscribed in historical perspective.

(A. Tanfoglio, Lo spettacolo della morte… Quaderni di estetica e mimesi del bello nell’arte macabra in Europa, Vol. 4, 1985)

The man making his moves against Death was no more a Medieval man, but a modern one.
Later on, the Devil himself was destined to be beat at the game: according to the legend, Sixteenth Century chess master Paolo Boi from Syracuse played a game against a mysterious stranger, who left horrified when on the chessboard the pieces formed the shape of a cross…

But what is probably the most interesting episode happened in recent times, in 1985.
A Dr. Wolfgang Eisenbeiss and an aquaintance decided to arrange a very peculiar match: it was to be played between two great chess masters, one living and one dead.
The execution of the game would be made possible thanks to Robert Rollans, a “trustworthy” medium with no knowledge of chess (so as not to influence the outcome).
The odd party soon found a living player who was willing to try the experiment, chess grandmaster Viktor Korchnoi; contacting the challenger proved to be a little more difficult, but on June 15 the spirit of Géza Maróczy, who had died more than 30 years before on May 29, 1951, agreed to pick up the challenge.
Comunicating the moves between the two adversaries, through the psychic’s automatic writing, also took more time than expected. The game lasted 7 years and 8 months, until the Maróczy’s ghost eventually gave up, after 47 moves.

This “supernatural” game shows that the symbolic value of chess survived through the centuries.
One of the most ancient games is still providing inspiration for human creativity, from literature (Carroll’s Through the Looking Glass was built upon a chess enigma) to painting, from sculpture to modern so-called mysteries (how could chess not play a part in Rennes-le-Château mythology?).
From time to time, the 64 squares have been used as an emblem of seduction and flirtation, of political challenges, or of the great battle between the White and the Black, a battle going on within ourselves, on the chessboard of our soul.

It is ultimately an ambiguous, dual fascination.
The chessboard provides a finite, clear, rationalist battlefield. It shows life as a series of strategical decisions, of rules and predictable movements. We fancy a game with intrinsic accuracy and logic.
And yet every game is uncertain, and there’s always the possibility that the true “endgame” will suddenly catch us off guard, as it did with the Pharaoh:

CLOV (fixed gaze, tonelessly):
Finished, it’s finished, nearly finished, it must be nearly finished.
(Pause.)
Grain upon grain, one by one, and one day, suddenly, there’s a heap, a little heap, the impossible heap.

(Thanks, Mauro!)

The misfortunes of Willie Dee

Mar19

As I was going down impassive Rivers,

I no longer felt myself guided by haulers.

(A. Rimbaud, The Drunken Boat, 1871)

In the hypotetical Museum of Failure I proposed some time ago, the infamous destroyer USS William D. Porter (DD-579) would hold a place of honor.
The account of its war exploits is so tragicomic that it sounds like it’s scripted, but even if some anecdotes are probably no more than legends, the reputation the ship earned in its two years of service was sadly deserved.

The career of “Willie Dee“, as the Porter was nicknamed, started off with an exceptional task.
Soon after its launch, the ship was assigned to a top-secret, crucial mission: escorting Franklin Delano Roosevelt across the Atlantic ocean — infested by nazi submarines — to North Africa, where the President was to meet Stalin and Churchill for the first time. The summit of the Three Greats would later become known as the Tehran Conference, and together with the following meetings (the most famous one held in Yalta) contributed to change the European post-war layout.
Yet, on account of Willie Dee, the meeting almost failed to happen.

Destroyers are agile and fast ships, specifically designed to shield and protect bigger vessels. On November 12, 1943, the Porter was ordered to join the rest of the fleet escorting USS Iowa, a 14,000-tons battleship on which the President had already boarded, together with the Secretary of State and the executive top brass.

Willie Dee‘s crew at the time consisted of 125 sailors, under Captain Wilfred Walter’s command. But in times of war the Army needed a vast number of soldiers, and therefore enlisted boys who were still in high school, or had only worked in a family farm. A huge part of military accidents was caused by inexperienced rookies, who has had no proper training and were learning from their own mistakes, directly in the field. Nearly all of Willie Dee‘s crew had never boarded a ship before (including the 16 officials, of which only 4 had formerly been at sea), and this top-secret-mission baptism by fire surely increased the crew’s psychological pressure.

Anyway, right from the start Willie Dee made its debut under a bad sign. By forgetting to weigh anchor.
As Captain Walter was maneuvering to exit the Norfolk harbor, a terrible metal noise was heard. Looking out, the crew saw that the anchor had not been completely raised and, still hanging on the ship’s side, had tore out the railings of a nearby sister ship, destroying a life raft and ripping up other pieces of equipment. The Willie Dee had suffered just some scratches and, being already late, Captain Walter could only offer some quick apologies before setting sail towards the Iowa, leaving it to port authorities to fix the mess.
But it wasn’t over. During the next 48 hours, the Willie Dee was going to fall into a maelstrom of shameful incompetence.

After less than a day, just as the Iowa and the other ships were entering a zone notoriously infested by German U-boats, a heavy explosion shook the waters. All units, convinced they had fallen under attack, frantically began diversion maneuvers, as radar technicians in high alert scanned the ocean floor in search for enemy submarines.
Until the Iowa received an embarassed message from Captain Walter: the detonation had been caused by one of their depth charges, accidentally dropped into the water because the safe had not been correctly positioned. Luckily the explosion had not injured the ship.
As if accidentally dropping a bomb was not enough, things got even more desperate in the following hours. Soon after that a freak wave washed one of the sailors overboard, who was never found. Not one hour after that tragedy, the Willie Dee‘s boiler room suffered a mechanical failure and lost power, leaving the destroyer plodding along in a backward position behind the rest of the convoy.

At this point, aboard the Iowa the anxiety for Willie Dee‘s blunders was tangible. Under the scrutiny of all these high personalities, the Chief of Naval Operations, Admiral Ernest J. King, personally took the radio microphone to reprimand Captain Walter. The skipper, realizing that the opportunities of a high-profile mission were quickly turning into a catastrophe, humbly vowed to “improve the ship’s performance“. And in a sense he kept his word, by causing the ultimate disaster.

Even proceeding at full speed, it would have taken more than a week for the fleet to reach destination. It was therefore of crucial importance to carry out war drills, so that the (evidently inexperienced) crews could prepare for a potential surprise attack.
On November 14, east of Bermuda, the Iowa Captain decided to show Roosevelt and the other passengers how his ship was able to defend itself against an air attack. Some weather balloons were released as targets, as the President and other officials were invited to seat on the deck to enjoy the show of cannons taking them down one by one.
Captain Walter and his crew stood watching from 6,000 yards away, growing eager to participate in the drill and to redeem their ship’s name. When Iowa missed some balloons, which drifted into Willie Dee‘s fire range, Walter ordered his men to shoot them down. At the same time, he commanded a torpedo drill.

Belowdecks two members of the crew, Lawton Dawson and Tony Fazio, made sure the primers were removed from the torpedos — otherwise they would have actually launched — and gave the OK signal to the deck. The bridge commander ordered fire, and the first “fake” torpedo was activated. Then the second, “fire!“. And the third.
At that point, the bridge commander heard the last sound he’d wanted to hear. The unmistakable hiss of a real torpedo trailing away.
To fully understand the horror the official must have felt in that moment, we must remember one detail. Usually in a drill one of the nearby ships was chosen as a practice target. The closest target was the Iowa.

The Porter had just fired a torpedo towards the President of the United States.

WTUS_WWII_Dunlap_pic

Aboard the Willie Dee, hell broke loose. One lieutenant ran up to Captain Walter, and asked him if he had given permission to fire a torpedo. His answer was certainly not a historic war dictum: “Hell, No, I, I, aaa, iiiiii — WHAT?!“.
Only a couple of minutes were left before the torpedo hit Iowa‘s side, sinking it together with America’s most important personalities.
Walter immediately ordered to raise the alarm, but the strictest radio silence had been commanded to avoid the risk of interception, as the fleet sailed in a dangerous zone. So the signalman decided to use a flashing light instead.
But, falling prey to a justifiable panic, the young sailor who had to warn Iowa of the fatal mistake got quite confused. The mothership began receiving puzzling, uncomprehensible messages: “A torpedo is moving away from Iowa“, and shortly after “Our ship is going in reverse at full speed“.
Time was running out, and realizing that Morse code was not a viable option, Walter decided to break radio silence. “Lion, Lion, come right!” “Identify and say again. Where is submarine?” “Torpedo in the water! Lion, come right! Emergency! Come right, Lion! Come right!”
At that point the torpedo had already been spotted from the Iowa. The ship made an emergency manoeuvre, increasing speed and turning right, as all cannons shot towards the incoming torpedo. President Roosevelt asked his Secret Service bodyguard to move his wheelchair to the railing, so he could better see the missile. According to the story, the bodyguard even took out his gun to shoot the torpedo, as if his bullets could stop its course.
Meanwhile, over the Willie Dee a ghastly silence had fallen, as everyone stood frozen, holding their breath and waiting for the explosion.

Four minutes after being fired, the missile exploded in water, not far from Iowa, providentially without damaging it. The President later wrote in his diary: “On Monday last a gun drill. Porter fired a torpedo at us by mistake. We saw it — missed it by 1,000 feet“.

With the best will in the world, such an accident could not be overlooked — also because at that point there was a strong suspicion that the Willie Dee crew might have been infiltrated, and that the claimed clumsy error was in fact an actual assassination plot. So the Iowa ordered the Porter out of the convoy and sent it back to a US base in Bermuda; Walter and his crew shamefully made a u-turn and, once they entered the harbor, were greeted by fully armed Marines who placed them all under arrest. Days of interrogations and investigations followed, and Dawson, the 22-tear-old sailor who forgot to remove the primer from the torpedo, was sentenced to 14 years of hard labour. When he heard of the sentence, Roosevelt himself intervened to pardon the poor boy.

The rest of the convoy in the meantime reached Africa unharmed, and Roosevelt (despite another, but this time real, attempted assassination) went on to sign with Churchill and Stalin those deals which, once the war was over, would radically change Europe.
The Willie Dee was sent off Alaskan shores, where it could not cause much trouble, and in time it became some sort of a sailor’s myth. Other unverified rumors began circulating around the “black sheep” of the US Navy, such as one about a drunk sailor who one night allegedly shot a 5-inch shell towards a military base on the coast, destroying a commander’s front yard. Humorous, exaggerated legends that made it a perfect scapegoat, the farcical anti-heroine into which the anxiety of failure could be sublimated.
The resonance of Willie Dee’s infamous deeds preceded it in every harbor, where invariably the ship was saluted by radioing the ironic greeting “Don’t shoot! We’re Republicans!“.

USS_William_D._Porter_(DD-579)_sinking

The ship eventually sank during the Battle of Okinawa — ingloriously taken down by an already-crashed plane which exploded under its hull.
On that day, more than a seaman probably heaved a sigh of relief. The unluckiest ship in American history was finally resting at the bottom of the ocean.

52664605.william_d_porterweb

(Thanks, Andrea!)

Two underwater graveyards

Feb16

Along the cove named Mallows Bay, the Potomac River flows placid and undisturbed. It’s been doing that for more than two million years, you’ll have to forgive if the river doesn’t seem much impressed.
Its fresh and rich waters glide along the banks, caressing the hulls of hundreds of submerged ships. Yes, because in this underwater graveyard at least 230 sunken ships lay on the bottom of the river — a surreal tribute, here in Maryland, 30 miles south of Washington DC, a memento of a war among “featherless bipeds”, and of a military strategy that proved disastrous.

On April the 2nd, 1917, President Woodrow Wilson called Americans to arms against imperial Germany. This meant carrying dietary, human and military resources across the Atlantic Ocean, which was infested by German submarines. And supporting an army overseas meant to build the most majestic fleet in the history of mankind. In february 1917, engineer Frederic Eustis proposed an apparently irreproachable plan to lower costs and solve the problem: the construction of wooden ships, cheaper and faster to assemble than iron ships; a fleet so vast as to outnumber the inevitable losses due to submarines, thus able to bring food and weapons to European shores.
But, amidst beaurocratic and engineering delays, the project ironically did not hold water right from the start. Deadlines were not met, and in October 1918 only 134 wooden ships were completed; 263 were half-finished. When Germany surrendered on November 11th, not a single one of these ships had left port.

A legal battle to assert responsibilities ensued, as only 98 of the 731 commissioned ship had been delivered; and even these showed a weak and badly built structure, proving too small and costly to carry long-distance cargo. The maintenance costs for this fleet soon became excessive, and it was decided to cut out the entire operation, sinking the ships where they stood, one by one.

Today Mallows Bay harbours hundreds of fallen ships, which in time turned into a sort of natural reef, where a florid ecosystem thrives. As they were made of wood, these ships are by now part of the river’s habitat, and host algae and microorganisms that will in time erase this wartime folly, by turning it into a part of Potomac itself.
Mallows Bay is the largest ship graveyard in Western Hemisphere. As for the Eastern one, we should look for Truk (or Chuuk) Lagoon in Micronesia.

Here, during the course of another bloody war, WWII, hundreds of airplanes and other Japanese outposts were taken down during the so-called Hailstone operation.

On February 17, 1944, hell broke loose over this peaceful tropical lagoon, when US airforce sunk 50 Japanese ships and aorund 250 airplanes. At least 400 Japanese soldiers met their end here. Most of the fleet still remains in the place where it went down, under the enemy fire.

Foating on the surface of the lagoon’s clear waters, it is still possible to see the impressive structures of these wrecks; and several daredevils dive to explore the eerie panorama, where plane carcasses and battleship keels cover the ocean floor.

Rusted and sharp metal sheets, fluctuating cables and oil spills make the dive extremely dangerous. Yet this graveyard, the largest of its kind in the world, seems to offer an experience that is worth the risk. Among the bended metal of a by now ancient battle are still trapped the remains of those fighters Japan never managed to retrieve. Broken lives, terrible memories of a momentous conflict that claimed more victims than any other massacre.
And here, life flourished back again, covering the wrecks with luxurious corals and sea animals. As if to remind us that the world goes on anyway, never worrying about our fights, nor about the heroic victories we like to brag about.

(Thanks, Stefano Emilio!)

Paul Grappe, the diserter transvestite

May31

Sometimes the most unbelievable stories remain forever buried between the creases of history. But they may happen to leave a trail behind them, although very small; a little clue that, with a good deal of fortune and in the right hands, finally brings them to light. As archaeologists dig up treasures, historians unearth life’s peculiarities.

If Paul Grappe hadn’t been murdered by his wife on the 28th of July 1928, not a single hint to his peculiar story would have been found in the Archive of the Paris Police Prefecture. And if Fabrice Virgili, research manager at the CNRS, scrutinizing the abovementioned archives almost one hundred years later to write an article about conjugal violence at the beginning of the century, hadn’t given a look at that dossier…

The victim: Grappe Paul Joseph, born on the 30^th of August 1891 in Haute Marne, resident 34 Rue de Bagnolet, shot dead on the 28^th of July 1928.

The culprit: Landy Louise Gabrielle, born on the 10^th of March 1892 in Paris, Grappe’s spouse.

This is how the life of Paul Grappe ended. But, as we go back through the years starting from the trial papers, we discover something really astonishing.

In the 1910s Paris sounds like a promise to a young man coming from Haute-Marne. It was mainly a working-class context and like everybody else the twenty-year-old Paul Grappe worked hard to make ends meet. He hadn’t received a proper education but the uncontrollable vitality that would mark out his entire existence encouraged him to work hard: with stubborn determination he obliged himself to study, and became an optician. He also attended some mandolin’s courses, where he met Louise Landy.

Their modest financial means didn’t interfere with their feelings: they fell in love and in 1911 they tied the knot. Shortly afterwards, Paul had to leave for military service, but managed to be appointed to stand guard over the bastions of Paris, in order to be close to his own Louise. Our soldier was a skilled runner, he could ride, swim (which was quite uncommon at the time) and he quickly distinguished himself until he was appointed corporal. Having spent the required two years on active service, Paul thought he was finally done with the army. But the War clouds were gathering, and everything quickly deteriorated. In August 1914 Paul Grappe was sent to the front to fight against Germany.

The 102^nd Infantry division constantly moved, day after day, because the front was not well defined yet. Then gradually came the time to confront the enemy: at the beginning there were only small skirmishes, then came the first wounded, the first dead. And, finally, the real battle began. For the French, the most bloody stage of the entire world war was exactly this first battle, called Battle of the Frontiers, that claimed thousands of victims – more than 25,000 in one day, the 22^nd of August 1914.

Paul Grappe was at the forefront. When Hell arrived, he had to confront its devastating brutality.

He was wounded in the leg at the end of August, he was treated and sent back to the trenches in October. The situation had changed, the front was stabilized, but the battles were not less dangerous. During a bloody gunfight Paul was wounded again, in the right index finger. A finger hit by a bullet? He was strongly suspected of having practiced self-mutilation, and in such situations people were not particularly kind to those who did something like that: Paul risked death penalty and summary execution. But some brothers in arms gave evidence for him, and Paul escaped the war court. Convalescent, he was moved to Chartres. December, January, February and March went by. Four months seemed to be too much time to recover from the loss of one single finger, and his superiors suspected that Paul was willingly reopening his wounds (like many other soldiers used to do); in April 1915 he was ordered to go back to the front. And it was here that, confronted with the perspective of going back to that horrible limbo made of barbed wire, mud, whistling bullets and cannon shots, Paul decided that he would change his life forever: he chose to desert.

He left the military hospital and, instead of going to the barracks, he caught the first train to Paris.

We can only imagine how Louise felt: she was happy to learn that her husband was safe and sound, far from the war, and afraid that everything could end at any moment, if he was discovered. During the spring of 1915 the army was desperately in need of men, even people declared unfit for military service were sent to the front, and consequently the efforts to find the missing deserters were redoubled. For three times the guards burst into the home of his mother-in-law, where Paul was hidden, but couldn’t find him.

As for Paul – that had always had a wild and untamed temper – he couldn’t stand the pressure of secrecy. He was obliged to live as a real prisoner, he didn’t dare stick his nose out of the door: simply walking down the streets of Paris, a young man in his twenties would have aroused suspicion at that time because all the young men – maybe with the exception of some ministry’s employees – were at the front.

One day, overcome by boredom, joking with Louise he chose one of her dresses and wore it. Why not dress up as a woman?

Louise and Paul took a turn. He had a careful shave; his wife put a delicate make-up on him, adjusted the female clothes, put his head into a lady’s little hat. It wasn’t a perfect disguise, but it might work.

Holding their breath, they went out in the streets. They walked down the road for a little while, pretending to be at ease. They sat down in a café, and realized that people apparently didn’t notice anything strange about those two friends that were enjoying their drinks. Coming back home, they shivered as they noticed a man that was intensely gazing at them, fixing them… the man finally whistled in admiration. It was the ultimate evidence: disguised as a woman, Paul was so convincing that he deceived even the attentive eye of a tombeur de femmes.

From that moment on, to the outside world, the two of them formed a couple of women who used to live together. Paul bought some clothes, adopted a more feminine hairstyle, learnt to change his voice. He chose the name of Suzanne Landgard. For those who take on a new identity, it is very important to choose a proper name, and Landgard could be interpreted as “he who protects (garde) Landy?”.

Now Paul/Suzanne could go out barefaced, he could also contribute to the family economy: while Louise worked in a company that produced educational materials, Suzanne started working in a tailor’s shop. But maybe she struggled to stay in her role, because, as far as we know, she frequently changed job because of problems concerning her relationship with her colleagues.

War was over, at last. Paul wanted to stop living undercover, but he was still in danger. Like many other deserters used to do at the time, also our couple left for Spain (a neutral country) and for a short time took shelter in the Basque Country. They returned to Paris in 1922.

But the atmosphere of the capital had changed: the so-called “crazy years” had just begun and Paris was a town that wanted to forget the war at any cost. It was therefore rich in novelties, artistic avant-gardes and unrestrained pleasures. Louise and Suzanne realized that after all they may look like two garçonnes, fashionable women flaunting a masculine hairdo and wearing trousers, shocking conservative people. Louise used to paint lead toy soldiers during the evening, after work, to make some extra money.

Paul couldn’t find a job instead, and his insatiable lust for life led him to spend some time at the Bois de Boulogne, a public park that during those years was a well known meeting point for free love: there gathered libertines, partner-swappers, prostitutes and pimps.

Did Paul, dressed as Suzanne, whore to bring some money home? Maybe he didn’t. Anyhow, he became one of the “queen” of the Bois.

From then on, his days became crowded with casual intercourses, orgies, female and male lovers, and even encoded newspaper ads. Paul/Suzanne even tried to convince Louise to participate in these erotic meetings, but this only fuelled the first conflicts within the couple, that was very close until then.

His thirst for experience was not yet satiated: in 1923 Suzanne Landgard was one of the first “women” that jumped with a parachute.

“You are not tall enough, my dear, I am a refined person, I want to get out of this mass, this brute mass that goes to work in the morning, like slaves do, and goes back home at evening”, he repeated to Louise.

In January 1924 the long awaited amnesty arrived at last.

The same morning in which the news was spread, Paul went down the stairs dressed as a man, without make-up. The porter of the apartment building was shocked as she saw him go out: “Madame Suzanne, have you gone crazy?” “I am not Suzanne, I am Paul Grappe and I am going to declare myself a deserter to apply for the amnesty.” As soon as the authorities learnt about his case, even the press discovered it. Some newspaper headlines read: “The transvestite deserter”. Prejudices started to circulate: paradoxically, now that he was discovered to be a man (so the two supposed lesbians were a married couple) Paul and Louise were evicted. The Communist Party mobilized to defend the two proletarians that were victims of prejudices, and in a short time Paul found himself at the core of an improvised social debate. The little popularity he gained maybe went to his head: believing that he may become a celebrity, or have some chance as an actor, he started to distribute autographed pictures of him both as a male and as a female and went as far as to hire a book agent.

But the more prosaic reality was that Paul told the fantastic story of his endeavours mostly in the cafés, to be offered some drinks. He showed the picture album of him as Suzanne, and also kept a dossier of obscene photographs, that are lost today. Little by little he started to drink at least five litres of wine per day. He lost one job after another, and turned aggressive even at home.

As he recovered his manhood – that same virility that condemned him to the horror of the trenches – he became violent. Before the Great War he had shown no signs of bisexuality nor violence, and most probably the traumas he suffered on the battlefield had a share in the quick descent of Paul Grappe into alcoholism, brutality and chaos.

He used to spend all the salary of his wife to get drunk. The episodes of domestic violence multiplied.

In a desperate attempt of reconciliation, Louise accepted to participate in her husband’s sexual games, and in order to please him (this is what she declared later in her deposition) took an attractive Spanish boy named Paco as her lover. But the unstable Paul didn’t appreciate her efforts, and started to feel annoyed by this third party. When he ordered his wife to leave Paul, Louise left him instead.

From that moment on, their story looks like the sad and well-known stories of many drifting couples: he found her at her mother’s home, he threatened her with a gun, and begged her to go back home with him. She surrendered, but she quickly discovered she was pregnant. Who was the father? Paul, or her lover Paco? In December 1925 the child was born, and Louise decided to call him Paul – obviously to reassure her husband about his fatherhood. The three of them lived a serene life for some months, like a real family. Paul started again to look for a job and tried to drink less. But it didn’t last. Crises and violence started again, until the night of the murder the man apparently went as far as to threaten to hurt his child. Louise killed Paul shooting twice at his head, then ran to the police headquarters to give herself up.

The trial had a certain media echo, because of the sensationalist hues of the story: the accused, the wife that shot dead the “transvestite deserter”, was represented by the famous lawyer Maurice Garçon. While Louise was in prison, her child died of meningitis. Therefore the lawyer insisted on the fact that the widow was also a mourning mother, a victim of conjugal violence that had to kill her husband to protect their infirm child – on the other hand he tried to play down the woman’s complicity in her husband’s desertion, transvestism, and shocking behaviours. In 1929, Louise Landy was declared innocent, which rarely happened in the case of trials for murder of the spouse. From that moment on Louise disappeared from any news section, and there was no more news about her except that she got married again, and then died in 1981.

The story of Paul Grappe, with all that it suggests about those troubled times, the traumas of the soldiers, the inner conflicts implied by gender, was discovered by Fabrice Virgili who told it in his book La garçonne et l’assassin : Histoire de Louise et de Paul, déserteur travesti dans le Paris des années folles (the title is ironical, and the garçonne is obviously Paul, whereas Louise is the murderer), and also inspired the comic strip by Chloé Cruchaudet entitled Mauvais genre.

Elefanti da guerra

Jun7

All’alba dell’ 1 ottobre del 331 a.C., in una spianata situata ai piedi di una montagna che ricordava le gobbe di un cammello, i soldati Macedoni videro qualcosa che non avrebbero voluto vedere. Le truppe nemiche, quelle di Dario III Imperatore di Persia, avevano messo in campo la più poderosa e terribile arma di guerra dell’antichità. Cercate di figurarvi il panico dei Macedoni nel vedere qualcosa che non avevano mai nemmeno immaginato: al centro dello schieramento nemico stavano pronti all’attacco 15 animali sconosciuti, mastodontici, minacciosi, che sembravano partoriti dal peggiore degli incubi. Furono talmente terrorizzati che Alessandro Magno, il loro re e comandante, decise di offrire un sacrificio a Phobos, il Dio della Paura, affinché donasse loro il coraggio di affrontare le bestie incredibili.

Si stima che la battaglia di Gaugamela sia la prima volta in cui dei soldati Europei vennero in contatto con gli elefanti da guerra; eppure i pachidermi venivano utilizzati per scopi militari già da otto secoli, in Asia. Si trattava di un’arma strategicamente esplosiva: quasi impossibili da uccidere con le frecce o le lance (il nome “pachiderma” etimologicamente indica, appunto, una pelle spessa), capaci di arrivare a una velocità di 30 km/h durante una carica, gli elefanti potevano sfondare le difese nemiche, calpestare e, nel caso degli elefanti africani muniti di zanne, infilzare i soldati della fazione avversa. Posti al centro del plotone di attacco, erano capaci di produrre una vera e propria carneficina, incutendo inoltre spavento e paura negli eserciti che non erano nemmeno a conoscenza della loro esistenza, e per i quali sembravano animali fantastici e magici alla stregua dei draghi.

Gli elefanti da guerra vennero utilizzati dal 1100 a.C. fino all’arrivo della polvere da sparo nel 1400 d.C., quindi per 25 secoli. Vi ricorderete degli elefanti di Pirro e, certamente, di quelli di Annibale, decimati dal freddo delle Alpi. Ma le battaglie in cui venne fatto uso dei mastodontici mammiferi non si contano. Durante le guerre Puniche, sulla schiena dell’elefante veniva spesso montata una piccola torretta capace di ospitare fino a tre arcieri, che potevano colpire da una posizione privilegiata – sembra che la torre del gioco degli scacchi originariamente fosse posta a cavallo di un elefante, e provenga proprio da questo importante pezzo di strategia militare. Non c’era cavalleria che resistesse agli elefanti, anche perché i cavalli erano normalmente impauriti dall’odore dei pachidermi. Sull’elefante venivano inoltre montate lame aggiuntive (sulla proboscide) e rinforzi per le zanne.

In realtà, l’arma si rivelò piuttosto in fretta a doppio taglio: tutto stava, infatti, nel riuscire a spaventare gli animali. I Romani capirono che bastava ferire gli elefanti, o terrorizzarli con fanfare e trombe molto acute, perché essi cercassero la fuga, spesso ritorcendosi contro il nemico, travolgendo nella loro corsa le falangi che li seguivano. Apposite indicazioni vennero date agli arceri e ai fanti per colpirli al tronco, in modo che le ferite li facessero imbizzarrire. Queste strategie fecero sì che il guidatore dell’elefante, il cosiddetto mahout, fosse dotato di uno scalpello e di un martello, per spezzare la spina dorsale dell’animale nel caso fosse colto dal panico. Ci si accorse anche che gli elefanti erano facilmente spaventati dalle acute grida dei maiali; l’assedio di Megara fu infranto dopo che i Megaresi cosparsero di olio alcuni porci, a cui diedero fuoco e che spinsero poi verso le truppe nemiche. Gli elefanti, terrorizzati dalle grida degli infuocati maiali, devastarono il campo imbizzarriti.

Alcuni elefanti da guerra divennero famosi, come ad esempio Abul-Abbas, un elefante albino donato a Carlomagno dal califfo di Baghdad. Con l’avvento delle armi da fuoco, questo importante elemento militare venne a sfumare. Ma per concludere ricordiamo il curioso episodio della battaglia di Hildighati, del 1576, combattuta fra le forze di Mewar e l’armata Mughal. Il famoso cavallo Chetak, appartenente al comandante di Mewar, venne corazzato con un’armatura che mirava a camuffarlo come un cucciolo di elefante. L’idea era che gli elefanti da guerra l’avrebbero risparmiato, durante il combattimento, sembrando egli simile ai piccoli della loro specie. Purtroppo il cavallo Chetak morì a causa di ferite fatali dalle lame poste sul muso di un elefante, quindi pare proprio che lo stratagemma non abbia funzionato.

Holi

Nov5

[vimeo http://vimeo.com/40123818]

In India, fra la fine di febbraio e l’inizio di marzo, i colori esplodono nelle strade. Si tratta della festa tradizionale chiamata Holi; due giorni in cui, in modo vagamente simile al nostro carnevale, le regole sociali e le distanze fra le varie caste vengono abolite (entro certi ragionevoli limiti).

I significati simbolici di Holi sono molteplici. Originariamente la festa commemorava un episodio dei Purāṇa, in cui Prahlada resiste alle imposizioni di suo padre Hiranyakashipu e, contro la volontà di quest’ultimo, continua ad essere fedele a Vishnu; a farne le spese è però sua sorella, Holika, che morirà bruciata sulla pira. Al di là delle scritture tradizionali, Holi simboleggia principalmente la fine della stagione invernale e l’inizio della primavera: la terra diviene fertile, si riempie di colori e la vita rifiorisce.

Nel tempo, la festa ha addolcito i suoi tratti religiosi in favore di celebrazioni più popolari, gioiose e spensierate. Nel giorno centrale del Holi, si allestiscono enormi falò di fronte a cui si prega e si canta; in seguito polveri profumate e colorate, e tinozze di acqua similmente tinta e aromatizzata, vengono distribuiti fra la gente. Comincia allora una vera e propria battaglia, folle e selvaggia, in cui gli eccitati partecipanti vengono bersagliati di nuvole variopinte e sgargianti.

E’ davvero un ritorno alla vita, liberatasi dal tetro spettro dell’inverno; e il colore si fa veicolo di allegria, essenza stessa del ringraziamento alla divinità che ci ha donato di godere delle mille sfumature della realtà.