There is always an unexpected point in a celebration where an embarrassed silence falls for a moment.
Then a tiny crack of uncertainty opens, in which the diners seem to realize the futility of the party itself. It’s just a small treacherous blow, under the belt of smiles and jokes, an imperceptible hesitation from which we recover immediately.
But as a boy I hated parties and secretly enjoyed those moments of estrangement: “Human beings have been partying for centuries, for millennia, but what the hell is there to celebrate? Don’t they see the cosmos out there, how scary and cold and terrible it is? ”
Perhaps, I said to myself – with the classic haughtiness of the adolescent who thinks he’s the first to notice certain things – perhaps it is precisely in order not to see the void, to dispel the thought of nonsense, that these pathetic fools dance and they shout and laugh like madmen!
It took me a shamefully long time, and a lot of effort, to get over this thought. To admit the colossal courage necessary for the affirmation of joy; to understand the mystery, still alive today, of the ancient Dionysian fury; to recognize that the urgency of dance is just as powerful as the need for poetry.
This year that we are denied any kind of partying, its cardinal importance is even more evident: the flesh itself seems to claim its right to be unleashed, released.
My wish, therefore, for anyone who is reading, is to soon go back to dancing together, each following their own rhythm – unique, funny, deviant, rambling, capricious, clumsy or irregular … in the face of convention, but also in the face of that universe we imagine to be cold and inhospitable.
Perhaps, dancing for no reason is just what the stars have always been doing.
I haven’t been updating the blog lately, because it has been an intense period. Together with director Francesco Erba we completed the filming of the second season of the Bizzarro Bazar web series inside the spectacular Civic Museums of Reggio Emilia, and now post-production has begun.
However, I did not miss the opportunity to have a little chat with The Thinker’s Garden, one of the most stimulating spaces on the web: during the interview we talked about my relationship with Padua (and in particular about an autobiographical episode that ties me to the Morgagni Museum), about the Master in Death Studies organized by prof. Ines Testoni, and about the latest news regarding the series.
And with this little update, I wish you happy holidays!
At the beginning of the 20th century a famous “savage” bewitched the West: in the third episode of The Ouija Sessions, his spirit tells us about the incredible way he stayed afloat in a world that made the Exotic a circus attraction.
Here is the first installment of The Ouija Sessions, a new miniseries by Bizzarro Bazar.
In this episode my ouija board suggested me to tell you the incredible story of Mattio Lovat, who was found crucified outside a balcony in Venice.
Remember to subscribe to my channel, if you haven’t already; turn on the English subtitles & enjoy!
Cristina Galleri decided to depict an idyllic family scene: there is the branded umbrella, there’s me taking a bath, there is a VERY undressed young lady sunbathing, and a little boy who scurries off his jar of formalin . (The only euphemistic detail is those unlikely body-builder shoulders, as the only gymnastics I ever do is move books from shelf to table and back.)
Gloria Ramones De Lazzari alias Glokyramone, taking inspiration from the macrocephalous skull of my logo, imagined what kind of child he would have become if he had survived and grown healthy: “his notable defect would not have stopped him in the least from becoming a classic late-1800s/early-1900s little brat.”
Flavio Masiero told me that he had little time to work on his submission, because he had to leave for a trip — and what do you do when you have little time?
Of course, you make a collage on an authentic coffin lid!
Chiara Scarpitta, known online as Kiria Eternalove, has written a delightful story inspired by the Punished Suicide, accompanying it with a drawing.
I find it moving that after more than a century and a half the story of this anonymous girl still touches many people deeply; you can read The girl with the sand-colored hair (in Italian) by clicking here.
Milla, tattoo artist, created this poetic psychedelic brain.
I don’t know if the subtext is “Yeah, man, Bizzarro Bazar is, far out, like, you know, a fantastic trip, bro“, or “Bizzarro Bazar can cause severe mycosis“. But in both cases, it’s stuff that needed to be said.
Emanuela Sommi, with a fantastic and refined collage, invites us to take flight on a bizarre hot air balloon towards unexplored shores.
Even though, to be honest, I would be a little hesitant to get on board, given the gorgonic hair and that not-so-friendly hyena.
Chiara Toniolo decreed that mine is “a mind that must be preserved“, and so she literally put it under glass. She even included in her beautiful painting my cat, Barnum — who, as usual, seems completely untroubled. Bloody ungrateful little rascal.
The third prize goes to Gaberricci. At first glance his work, a reinterpretation of a famous Banksy stencil, may seem simpler than many others. But the idea behind it is very powerful, and I’d like to quote the words with which the author presented it to me:
I make no claim of having created anything particularly “wonderful”, and indeed my homage to such an iconic work might seem a bit cheesy. But I wanted to create something more “conceptual” which, moreover, signals a continuity that seems clear to me between you and Banksy: you both explore the territory of the uncanny, in order to suggest how much the imposition of a ” normality” is an overbearing and deeply reactionary act. If it’s quite simple to recognize this revolutionary nature in the work of the artist from Bristol, I believe that it goes more “unnoticed” in your extraordinary work of exploration and popularization, which goes well beyond the mere “Here are some extreme curiosities”. It is this aspect of what you do (and for which I thank you) that I have tried to highlight with this simple image: a guerrilla, as the writing says, conducted by throwing wonders in our face. Which is something we need.
This comparison with Banksy is way too generous, but the resistance against the flattening power of the Norm is a theme I care a lot about, and I am happy that someone emphasized it so explicitly.
For Umberto Eco, wunderkammern are essentially “visual lists”, encyclopedic inventories of wonder. Elena Simoni (a.k.a. psychonoir) has also assembled in her work some sort of compendium of many of the topics I covered on this blog: martyrs, relics, Victorian hairworks, cannibal forks, tsantsas, taxidermies, monstrous dildos, and much more.
Just like a real cabinet of wonders, which is often pervaded by a certain horror vacui, her drawing is overflowing with detail, so much so that the gaze gets lost in it. Yet the graceful female figure and the delicate trait make the atmosphere welcoming: an invitation to always follow one’s curiosity, however eccentric, and to let oneself sink into wonder.
Bizzarro Bazar has always been a source of great inspiration for me, so much so that just last year I founded my own company that has the ambition to become a Wunderkammer of sorts.
I was keen to make my tribute to your work, and I wondered what would happen if you, Ivan Cenzi, were one of the top pieces of a Wunderkammer.
So I combined my master’s degree in digital arts and my (former) job as a restorer to turn you into a wonderful reliquary, one I would definitely buy if only it existed!
The result of her effort — a mixture of painting and photographic processing — is nothing short of spectacular, thus earning the first prize: from now on, call me Saint Bizzarro!
If you liked some work in particular, be sure to show your appreciation to the authors in the comment section.
In the coming weeks I will also post these beautiful works on social networks.
Thanks again to all the participants, you have brightened my days; I hope you enjoyed it too!
Today this blog crosses the milestone of 11 years of activity, and in order to celebrate, the Bizzarro Bazar Contest is back!
Are you ready to enter the challenge and give free rein to your most eccentric and macabre fantasies?
The rules are the same as last time:
Create an original work explicitly referring to Bizzarro Bazar;
Remember that the idea is to allow free rein to your weird creativity, to celebrate and above all to have fun among friends!
By “explicitly referring” to the blog I mean that Bizzarro Bazar (the website, logo, one of my books, even my beard if it comes to that) must be depicted/mentioned/included in the entry. Keep in mind that, while promoting your creations, I also want to promote this blog. Win-win.
My advise is to skim through the beautiful contributions from the first and second editions of the contest.
And now let’s take a look at the prizes:
1st prize: T-shirt of your choice + Mug of your choice + Mousepad of your choice from the official store
2nd prize: T-shirt of your choice + Mug of your choice from the official store
3rd prize: T-shirt of your choice from the official store
The best unclassified entries will be published on Bizzarro Bazar with links to the authors websites/profiles, and shared on social networks.
In this complicated period, my work, like that of many people, also suffered a rather heavy setback (halted publishing, canceled conferences and events, etc.).
Since many had been asking for it for some time, I decided to open an online shop on Hoplix, an Italian on-demand platform: it already contains gadgets and goodies of various kinds — T-shirts, mugs, pillows, masks.
I figured it would be a fun way to feel your support, offering something nice in return, which you can use to proudly show off your weird side!
I will continue to update the offer by creating new gadgets and graphics. For now you can take a look at the available products by following this link or by clicking on the image above. Thanks!