Sorry, this entry is only available in Italian.
The strange fashion of garden hermits.
Turn on English subtitles, and if you like this video please subscribe to my channel and… spread the word!
Another year is behind us, a new one begins.
This may seem like something to do with the passage of time, but it is relative to space: the year exists because we are moving, carried by our planet-arch along its sidereal trajectory around a fiery star.
In short, the New Year reminds us that even when we seem to be standing still, we are actually always on the move.
And I have been traveling the length and breadth of Italy again for a few months now, at work on some books whose details I will reveal in the coming times. I hope the fruits of my wanderings will be enticing enough to make you want to indulge in the very surreal thrill of travel!
For now, I wish you all my warmest wishes for a 2023 full of oddities and quirks… Keep The World Weird!
Here’s a new mini-video: a seventeenth-century engraving hides a risqué secret.
[Turn on English subtitles!]
A five-week course on the representation of death through the ages, a meeting at a curious film festival, a conference about a major archaeological find… here are September’s events!
Starting September 3, and continuing with a date every Saturday, I will teach a 5-week online course for Morbid Anatomy on the iconology of death from antiquity to social networks. It will be a richly illustrated journey spanning three thousand years, tracing the historical variations and semantic richness of allegories of death: from the depictions of the ancient world (Egyptians, Greeks, Romans, Etruscans) to the medieval danse macabre, from the “Triumphs of Death” to Flemish vanitas, from dissected corpses in early modern anatomical illustrations to the morbid infatuations of nineteenth-century Romanticism, from surrealist experiments to contemporary artists who include authentic corpses in their works. Find more information and the opportunity to register on the Morbid Anatomy page; the course will be held via Zoom in English.
On Sept. 6, I will be a guest at Garofano Rosso, Italy’s “smallest and coldest” film festival to be held in Forme di Massa d’Albe (AQ). It’s been many years since this tiny hamlet in the heart of the Abruzzo Apennines served as the location for John Houston’s The Bible (1966) and Valerio Zurlini’s The Desert of the Tartars (1976); but, thanks to the good spirits of a group of passionate young folks, once a year Forme gets to “breathe cinema” again, with a surprisingly rich program of free screenings and events. When they invited me, I accepted enthusiastically, because on the one hand such an initiative cannot leave my cinephile soul cold (cinema has been my first love, and was my main job for almost twenty years), and on the other hand this is a moving example of cultural commitment and resistance.
Finally, on September 9, I will take part in a major conference, where the details of an exceptional historical find will be released. Nothing was known about the whereabouts of the remains of the Marquises Pallavicino, one of Italy’s most important feudal families, until a wooden box containing human bones and bearing the names of Gian Lodovico I, Anastasia Torelli, Rolando II and Laura Caterina Landi was discovered in 2020, walled inside the Basilica of Cortemaggiore (PC).
During the meeting (to be held at 9 p.m. at the Eleonora Duse Theater in Cortemaggiore) the results of the archaeological investigations carried out on the remains will be announced, and I will be in prestigious company: speakers include paleopathologist Dario Piombino-Mascali, bioarchaeologist Alessandra Morrone and historian Marco Pellegrini.
On Friday, June 17, I will be in Padua for a very unique event, an evening devoted entirely to taxidermy and the sociological, psychological and cultural implications of the art of stuffing animals.
I wrote about him five years ago, in this post: besides being the only taxidermist in Italy to offer “artistic” (i.e., non-naturalistic) taxidermy creations, Alberto also specializes in taxidermy of pets.
I have always found it very moving that different species manage to create a deep relationship with each other, in spite of (or perhaps because of) the coldness of the world; when the affection between a human being and another animal becomes so intense, it is clear that grieving can be difficult and painful. For this reason, on Friday we will also discuss taxidermy in relation to pet grief with various personalities from science and culture: in addition to the meeting with Alberto Michelon and director Rossella Laeng, the evening will therefore include talks by Anna Cordioli (psychoanalyst), Stefania Uccheddu (Head of the Service of Behavioral Medicine, Clinic S. Marco), Gianni Vitale (journalist, President Promovies), and myself. I will talk about the history of taxidermy and its relationship to other types of remains preservation, such as relics.
If you would like to reserve your ticket for the evening, you can do so on Eventbrite. I look forward to seeing you there!
I am publishing here, as a free ebook, a research that has engaged me for several years: it’s an essay on the iconographic and conceptual motif of the “dissected woman” — a rhetorical device which, starting at least from the Middle Ages up to these days, was intended to sabotage the female seductive power by breaking down / opening up the woman’s body.
I made a short video presentation in which I talk about the project (please turn on English subtitles):
And here are the links to dowload the PDF file for free:
This book is free, but if you’d like to support my research you might consider making a donation through PayPal.
Here we are at the end of Season 2 of Bizzarro Bazar!
In this episode: the obsession with the genitals of famous men; an incredible deformed skull; the REAL tomb of Jesus Christ.
I’d like to take this opportunity to thank the Musei Civici di Reggio Emilia for their hospitality and for the openness with which they supported our slightly unconventional work, and in particular the extraordinary curators Georgia Cantoni, Silvia Chicchi and Riccardo Campanini: if the Museums are today a lively and always vibrant place it is thanks to their dedication and enthusiasm.
As always, this episode was directed and animated by Francesco Erba and co-produced by Erika Russo. I remind you that you can (re)watch all the episodes on my YouTube channel, where there are also other curiosities such as the one-minute Bizzarro #Shorts, and much more.
Turn on the English subtitles & enjoy!