BB Contest Awards 5

The time has come to reveal the results of the fifth edition of the Bizzarro Bazar Contest!

This year, the entries were once again numerous and full of imagination, and I sincerely thank all the participants: our family of bizarre creatives gets bigger and bigger every year, and this can only fill me with pride.

Let’s get started!

Sambuco envisioned, for his vintage composition, “an old-time newsie intent on shouting, in these words, the praises of Bizzarro Bazar’s hypothetical store of wonders.” No better way to start!

For all the world’s
Satiated souls
Fascinated
By the unexplored
Seeking the wonder
To which our brains
Are unaccustomed!

Run hungry
Run fast
For every taste
And personality
There are stories
Of life and death
Of strange and macabre
Amenities!

Run curious
Run fast
For every taste
And sensibility
Bizzarro Bazar’s store
Opens its doors
Of wonder!

(Sambuco: Instagram)

Any fortune teller can read the future regarding classic questions about health, love or work.
But the fortune teller envisioned by Andrea Kendall Berg answers only strange and unusual questions — thanks to the intercession of her wacky otherworldly friends.
The only downside: the tarots end up giving the same answer every time…

(Andrea Kendall Berg: Instagram)

Elena Baila, in those idle, torrid days of summer, created this little animation that, in addition to paying homage to Bizzarro Bazar, seems to me to be an excellent advertisement about the risks of prolonged exposure to the sun.

(Elena Baila: Instagram, Facebook)

Perhaps works of art should never be analyzed in search of literal metaphors, but in Debora Campagnoli’s self-portrait, it almost seems as if her eyes have decided to look at the world through the lens of the Macabre… resulting in the brilliant colors of life in bloom breaking through the monochrome.

(Debora Campagnoli: Facebook)

ElaGhi has composed a lyric with a romantic, crepuscular tenor: lending her voice to a statue, her verses transport us to the mournful, decadent atmosphere of a Victorian cemetery.
Who among us would not want to walk among those bumpy tombstones under a leaden sky?

(ElaGhi: Instagram, Facebook)

Here’s a question that everyone asks themselves at one time or another: can a flayed woman still be beautiful and sensual?
What’s that you say? You never wondered? Dude, you really are strange.
In any case, Pamela Annunziata shows us that the answer is unequivocally positive. (Pamela Annunziata: Instagram, Facebook)

“I am vast, I contain multitudes,” wrote Walt Whitman.
Eleonora’s surrealist collage seems to suggest a similar inner immensity — with that anatomical Venus from whose entrails, as in a fantastic eruption, phrenological heads, Phoenix Arabs, circuses and hot air balloons emerge…

(Eleonora – Lola thumbnails: Instagram, Facebook)

Astrid, who sends me her work from Germany, created this fairy-tale chamber of wonders; the truly original solution is that she used an AI image generator to fill it with arcane and mysterious objects, then integrated the results into her digital painting.
The result is a Hermetical and indecipherable wunderkammer!

Regarding his stunning new creation, André ElRagno Santapaola writes, “I was inspired by two themes that are very dear to me, which I discovered and delved into precisely thanks to Ivan: anatomical preparations and Witkin’s magnificent photographs.
I made this silicone sculpture using a live cast, which I then tried to paint it in a hyperrealistic way. Being my first attempt with these techniques and materials, I am satisfied with the result.
I later set up the photograph by adding elements taken from my wunderkammer (the book is last year’s special prize!); the result is an anatomical preparation of a bizarre, yet beneficial, disease: curiosity.”
If you need a special effects artist for your next movie, now you know who to call! (André ElRagno Santapaola: Instagram, Facebook)

Illustrator Dimitri Fogolin places me in a singular tech-noir setting, where shady individuals with additional limbs implanted on their backs roam, where distinguished ladies wear gas masks, trains are sentient biomechanical hybrids, and mysterious dark ladies plot in the shadows.
Which is actually is a pretty accurate description of my everyday life. (Dimitri Fogolin: Instagram, Facebook, website)

It is no mystery that I have a soft spot for Elena Simoni a.k.a. Psychonoir’s tiny, delightful drawings, so much so that above my desk hangs the post-mortem portrait she gave me for last year’s contest .
This time Elena imagined a procession of freaks, saints, mummies and monsters (all inspired by topics I have covered over the years), marching to support the right to be proudly weird.
The only rally I would gladly attend in my life. (Elena Simoni Psychonoir: Instagram, Facebook )

WINNERS

Third prize

“There is treasure everywhere.”
With this phrase (borrowed from a volume of Calvin & Hobbes) Elisa Caviola presents her work, which won third place not only for its very elegant graphic rendering, but especially because it mixes digital techniques with an ancient and fascinating nineteenth-century printing method: cyanotype.

Elisa writes, “Lucky are those who look at the world with awe and wonder, because so much magic and beauty surrounds them. Especially in places where no one looks.” And even just watching the chemical process take place, and the cyan-blue emerge ever brighter, is something enchanting:

And here is the completed work: (Elisa Caviola: Instagram, Facebook)

Second prize

Chiara Toniolo, who won second place, decided to portray herself as an anatomical Venus intent on reading my book Mors pretiosa; what struck me, besides her beautiful pencil stroke, was the unusual atmosphere, languid and homely, and that almost casual caress of the skeletal cat…
Chiara says, “I could have depicted one of the many wax Venuses in anatomical museums, but it’s my professional deformation as an artistic nude model that’s to blame: I always have to put my face in it, and this time my guts too!” (Chiara Toniolo: Instagram, Facebook)

First prize

Gaberricci had also participated in our contest a couple of years ago, winning the third prize; this year, however, he really outdid himself, creating a very tasty and amazing whimsical crossword puzzle.
Virtually ALL of the definitions in these crossword puzzles refer to some article or video I posted here on the blog!
A true masterpiece of humor and puzzles, which will require a lot of effort to solve but, possibly, will make you discover (or remember) a myriad of unexpected and curious stories. What better to ask for?

(Gaberricci: website)

We have come to the end, and I am, as always, touched and moved. Once again, thank you to all the participants for gifting me with these wonderful works; I hope you enjoyed making them as well.
If you enjoyed any particular work, please remember to show your appreciation to the authors in the comments section.

Keep The World Weird!

BB Contest Awards 4

Finally, here are the results of the fourth edition of the Bizzarro Bazar Contest!

All the participants showed that they have a truly out of the ordinary fantasy and, like the other years, I was amazed and moved by the care and commitment that emerge from the realization of these works.
[Small note: among the many works that were submitted, there are some that I reluctantly had to exclude as they did not follow the rules of the contest.]

Let’s start with our parade of oddities!

A nice little fetus in a jar welcomes us, in the naive painting by m.pitturessa.

(m.pitturessa: Instagram)

ElaGhi’s evocative poem is a melancholic twilight vision that the Scapigliati would have loved.

(ElaGhi: Instagram)

Andrea Carrozzo’s memento mori seems to echo some verses of E.A. Poe (A Dream Within A Dream), but here the sand that the skeletal hand cannot hold is actually the dust to which, according to the famous maxim, man is forced to return .

Matteo Ruggeri transformed me into a creature of Italian folklore.
“I imagined it — he wrote me — as a page extrapolated from some bestiary or cryptozoology book, containing a mythological version of yourself, illustrated and duly described in its physical features and, obviously, in its supernatural faculties.”

I love the detail that I have the superpower to remove a cyst with a simple touch, but then I’ll keep it!

Thanks to Greta Fantini, now even Joseph Merrick is among my most loyal readers.

(Greta Fantini: Instagram, sito web)

Stefano Luciani has designed a Bizzarro Bazar deck of cards… perfect for serving your opponent the “dead man’s hand” (A ♠ A ♣ 8 ♠ 8 ♣).

(Stefano Luciani: Facebook)

Inside her wunderkammer (also containing a skull that looks suspiciously familiar) Chiara Toniolo is testing the size of a glass bell to fit her head.

(Chiara Toniolo: Instagram, Facebook)

Valentina, aka Cher Macabre, wondered what a hypothetical Bizzarro Bazar freakshow might look like. “Well, to try to answer the question, I decided to modify a photo a dear friend took of me years ago using one of the skulls in my collection. In working on it, I was inspired by those period images that have been analyzed several times on the pages of the blog.”

(Cher Macabre: Instagram)

Er Cantastorie, who tells stories, curiosities and more or less forgotten characters from Rome, dedicated this delightful rhyming profile to me. It’s twenty years now since I have been adopted by this city, so I can only be delighted by this Roman dialect little poem.

(Er Cantastorie: Instagram, Facebook)

The delicate work of Pamela Annunziata is dedicated to one of the most famous and mysterious figures of all time: the beautiful face framed by this floral pattern is that of l’Inconnue de la Seine, a story I wrote about many years ago.

(Pamela Annunziata: Instagram, Facebook)

Amedeo Capelli has created a colorful automaton in papier-mâché and wood, showing a poor skeleton condemned to a neverending escape from a fox that seems to have come out of The Little Prince. But is it really an escape, or are they just playing together? You decide, in any case the scene is exquisitely… bizarre.

(Amedeo Capelli: Instagram, Facebook)

In Christian Galli’s fantastic illustration, my shrunken head has become part of the collection of wonders of a mutant scientist who closely resembles the protagonist of The Fly.

(Christian Galli: Instagram, Facebook)

Simona Naddeo turned me into a cross between a sideshow barker and a mephistophelian Sgt. Pepper. What more could you ask for?

(Simona Naddeo: Instagram)

In this work by Midnight Mary, the horror vacui materializes in a surprising catalog of objects that we have talked about in the two seasons of the web series, but not only. Impossible not to get lost trying to identify them all!

(Midnight Mary: Instagram)

Literally everything happens in Niccolò Ferrari’s drawing: gosh, I can’t even take my little skeleton in a stroller to the park, without all hell breaking loose.

Before moving on to the winning works, an honorable mention certainly goes to Elena “Psychonoir” Simoni.
I must confess that I was startled for a moment when I first saw this post-mortem portrait, so accurate. Even more so since Elena immediately offered to send it to me: giving a person a drawing of them in a coffin would be considered in bad taste — indeed, a really shocking gift! — in a normal context.

But with Bizzarro Bazar I tried to create a space in which normality is questioned, as well as taboos and the very concept of “good taste”. For this reason, Elena’s kind gift seemed to me a gesture that was anything but disrespectful, one that is possible only on the account of a profound affinity; the kind of complicity that I’ve felt with many of those who follow my work.
And then this small portrait, on closer inspection, has its own particular sweetness. Maybe I’ll keep it, as a memento mori, above my desk…

(Elena Simoni a.k.a. Psychonoir: Instagram, Facebook)

Terzo premio

When I kicked off this blog 12 years ago, I would have thought everything except that I would become the protagonist of a detective story.
Instead, according to Ingrid Atzei, “in Italian fiction, in my opinion, a protagonist with your interests and skills could be declined in many different ways. In fact, to date, we have a whole catalog of eccentric law enforcement consultants, but we still don’t have an expert on the uncanny and… it would work so well! “

Thus, in her short story La danza, she cast me in the shoes of an “expert in oddities” who’s called to assist Commissioner Stevelli in the investigation of a series of mysterious deaths that occurred in a remote Sardinian village, and which appear to be connected to ancestral pagan rites.

You can download the PDF of Ingrid Atzei’s story (in Italian) by clicking here.

Secondo premio

Andrè Elragno Santapaola has created a small anatomical text in the literal sense of the term, whose incredible pages are made of vascularized flesh, bones, tendons, adipose masses. A visceral book that is like a glimpse into the fragility of the body and its inconceivable ravines.
There are three quotes that punctuate this Cronenbergian anthology of flesh: a sentence of mine on the concept of autopsy, a splendid passage by Gottfried Benn, author of Morgue and other Poems, and finally the verse from Ecclesiastes from which the concept of vanitas was born.
“The individual pages — as Andrè explained — were sculpted with MonsterClay and subsequently copied in white epoxy resin and painted with acrylics and oil colors. The “leather” cover was created using various layers of latex, painted with very thin layers of diluted acrylic.”

(Andrè Elragno Santapaola: Instagram, Facebook)

Primo premio

Lola specializes in the creation of themed miniatures, inspired by music, literature and the world of cinema.
For Bizzarro Bazar she composed this delightful mini-wunderkammer that is a feast for the eyes: between mandrake illustrations, movie posters, ex voto, anatomical plates, copies of the Necronomicon and vintage photos, the level of detail is amazing.
Not only has Lola miniaturized my books, but just look at that vial that seems to contain one of the fetuses from His Anatomical Majesty… an entire world collected under a glass bell.
Everything is finally sealed with a quote from one of my favorite passages by Mandiargues… truly astonishing.

(Lola miniature: Instagram)

If you liked some work in particular, be sure to show your appreciation to the authors in the comment section.
In the coming weeks I will also post these beautiful works on social networks.
Thanks again to everyone for putting a smile on my face and awe in my heart, and I hope you enjoyed it too!

BB Contest Awards 3

The third Bizzarro Bazar Contest has ended, and once again the contributions have been many, original and completely extravagant!

Without further ado, let’s scroll through the special mentions right up to the winning works, which I really struggled to select given the overall quality of the works. Let’s go!

Let’s start with La marci who, inspired by my article on the flea circus, built one for herself.

(La marci: Instagram)

Sambuco bursts in with a bit of healthy rock’n’roll, by customizing an electric guitar. Gabba gabba hey!

(Sambuco: Instagram)

Paraphrasing Forrest Gump we could say: “Bizzarro Bazar is like a can of tuna: you never know what you’re gonna get.”
Lapeggiocosa finds it out the hard way:

(Lapeggiocosa: Instagram)

C.G. decided to depict an idyllic family scene: there is the branded umbrella, there’s me taking a bath, there is a VERY undressed young lady sunbathing, and a little boy who scurries off his jar of formalin . (The only euphemistic detail is those unlikely body-builder shoulders, as the only gymnastics I ever do is move books from shelf to table and back.)

Gloria Ramones De Lazzari alias Glokyramone, taking inspiration from the macrocephalous skull of my logo, imagined what kind of child he would have become if he had survived and grown healthy: “his notable defect would not have stopped him in the least from becoming a classic late-1800s/early-1900s little brat.”

(Glokyramone: Instagram)

Flavio Masiero told me that he had little time to work on his submission, because he had to leave for a trip — and what do you do when you have little time?
Of course, you make a collage on an authentic coffin lid!

(Flavio Masieroo: Instagram)

Chiara Scarpitta, known online as Kiria Eternalove, has written a delightful story inspired by the Punished Suicide, accompanying it with a drawing.
I find it moving that after more than a century and a half the story of this anonymous girl still touches many people deeply; you can read The girl with the sand-colored hair (in Italian) by clicking here.

(Kiria Eternalove: Facebook, Instagram, YouTube)


Milla, tattoo artist, created this poetic psychedelic brain.
I don’t know if the subtext is “Yeah, man, Bizzarro Bazar is, far out, like, you know, a fantastic trip, bro“, or “Bizzarro Bazar can cause severe mycosis“. But in both cases, it’s stuff that needed to be said.

(Milla: Instagram)

The contribution of Greta Fantini, both sensual and a little gory, has appeared censored on social media. Here I can finally show it to you in all its explosive… mammary charge.

(Greta Fantini: Facebook, Instagram)

Andrè El Ragno Santapaola, wundermaker and winner of the last contest with his “Bizzarroscope”, made a short stop-motion animation: this is what happens in a wunderkammer when everyone is asleep!

(Elragno’s Weird Stuff World: Facebook, Instagram)

The gifted painter and illustrator Chiara Olmi Rol gives us two beautiful and melancholic Siamese twins:

(Chiara Olmi Rol: Facebook, Instagram)

Conjoined twins, this time thoracopagus, are also the protagonists of this beautiful floral artwork by Pamela Annunziata:

(Pamela Annunziata: Instagram)


Emanuela Sommi, with a fantastic and refined collage, invites us to take flight on a bizarre hot air balloon towards unexplored shores.
Even though, to be honest, I would be a little hesitant to get on board, given the gorgonic hair and that not-so-friendly hyena.

(Emanuela Sommii: Facebook)

Chiara Toniolo decreed that mine is “a mind that must be preserved“, and so she literally put it under glass. She even included in her beautiful painting my cat, Barnum — who, as usual, seems completely untroubled. Bloody ungrateful little rascal.

(Chiara Toniolo: Facebook, Instagram)

Here is a classy mini title sequence for the blog, by Contu!

(Contu: Instagram)

The illustrator Matteo Moscarelli portrays me as some kind of creepy Cryptkeeper, inside a studio-wunderkammer that is a delight for the eyes.

(Matteo Moscarelli: Facebook, Instagram)

WINNERS

3rd Prize

And we got to the winners!

The third prize goes to Gaberricci. At first glance his work, a reinterpretation of a famous Banksy stencil, may seem simpler than many others. But the idea behind it is very powerful, and I’d like to quote the words with which the author presented it to me:

I make no claim of having created anything particularly “wonderful”, and indeed my homage to such an iconic work might seem a bit cheesy. But I wanted to create something more “conceptual” which, moreover, signals a continuity that seems clear to me between you and Banksy: you both explore the territory of the uncanny, in order to suggest how much the imposition of a ” normality” is an overbearing and deeply reactionary act. If it’s quite simple to recognize this revolutionary nature in the work of the artist from Bristol, I believe that it goes more “unnoticed” in your extraordinary work of exploration and popularization, which goes well beyond the mere “Here are some extreme curiosities”. It is this aspect of what you do (and for which I thank you) that I have tried to highlight with this simple image: a guerrilla, as the writing says, conducted by throwing wonders in our face. Which is something we need.

This comparison with Banksy is way too generous, but the resistance against the flattening power of the Norm is a theme I care a lot about, and I am happy that someone emphasized it so explicitly.

(Gaberricci’s blog, in Italian, is Suprasaturalanx)

2nd Prize

For Umberto Eco, wunderkammern are essentially “visual lists”, encyclopedic inventories of wonder.
Elena Simoni (a.k.a. psychonoir) has also assembled in her work some sort of compendium of many of the topics I covered on this blog: martyrs, relics, Victorian hairworks, cannibal forks, tsantsas, taxidermies, monstrous dildos, and much more.
Just like a real cabinet of wonders, which is often pervaded by a certain horror vacui, her drawing is overflowing with detail, so much so that the gaze gets lost in it. Yet the graceful female figure and the delicate trait make the atmosphere welcoming: an invitation to always follow one’s curiosity, however eccentric, and to let oneself sink into wonder.

(Elena Simoni Psychonoir: Facebook, Instagram)

1stPrize

Diletta De Santis wrote to me:

Bizzarro Bazar has always been a source of great inspiration for me, so much so that just last year I founded my own company that has the ambition to become a Wunderkammer of sorts.
I was keen to make my tribute to your work, and I wondered what would happen if you, Ivan Cenzi, were one of the top pieces of a Wunderkammer.
So I combined my master’s degree in digital arts and my (former) job as a restorer to turn you into a wonderful reliquary, one I would definitely buy if only it existed!

The result of her effort — a mixture of painting and photographic processing — is nothing short of spectacular, thus earning the first prize: from now on, call me Saint Bizzarro!

(Diletta De Santis, Mundi Wunderkammer: Facebook, Instagram)

If you liked some work in particular, be sure to show your appreciation to the authors in the comment section.
In the coming weeks I will also post these beautiful works on social networks.
Thanks again to all the participants, you have brightened my days; I hope you enjoyed it too!

BB Contest Awards – 2

The second edition of the Bizzarro Bazar Contest is over.

In writing this, I realized I don’t know a way to express my gratitude to all candidates that’s not boring. So just take it for granted that you’ve warmed the heart of an old seeker of oddities.
Let’s not beat around the bush, you’re here to see what the deliciously deviant minds of your fellow readers have come up with.

Like last year, the entries were so many, and of such high quality, that they made it awfully hard for me to select just three winners.
So the warning stays the same: what you’re about to see are the honorable mentions — at the incpontestable discretion of the Jury, that is me — but a round of applause should go to all those who don’t appear in this limited space. Over the next few weeks I shall find a way to make it even by sharing on social media all the submitted works, along with the info about the authors.

So, let’s kick off our weird parade!

Many classic elements — the hourglass, the withered flower, the skull, the burned-out candle — for this rather gothic version of the vanitas.

(Debby: Facebook, blog)

If you want to split hair, that plainly pasted logo in Giulia’s works does not fully comply with the contest rules; but hey, we’re among friends, and her collages entitled Under The Skin are so beautiful that I just couldn’t leave them out.

(Giulia Dah Mer: Facebook, Instagram)

Memento mori, alright, but above all memento cogitare: remember to think.

(Diego Bono: Facebook, Instagram)

Gaber Ricci sumbitted an anatomical animated GIF, which would be perfect for a T-shirt. All we need now is some tech guy to figure out how to play GIFs on T-shirts, and we’ve got a business that’ll shake the world.

(Gaber shies away from social media, but he runs a highly intelligent blog in Italian: Suprasaturalanx.)

The LondoNerD is another great blogger, and for the occasion he drew a portrait of me as Jeremy Bentham‘s famous auto-icon. Apart from the fact that my head too is often somewhere else, the juxtaposition with the great philosopher is undeserved.

(The LondoNerd: blog, Facebook, Twitter, Instagram)

Alessandro gifts us with a sacral vision entitled Curiositas, which reminds me of Art deco, Beardsley and some of the graphic work of Alberto Martini.

(Alessandro Amoruso: Facebook, Deviantart)

Greta a.k.a Nevestella celebrates a hypothetical union between two famous freakshow artists: can you guess who they are?

(Nevestella: Facebook, Instagram, Deviantart)

Pamela too submitted a spectacular composition including typical vanitas elements.

(Pamela Annunziata Artworks: Facebook, Instagram)

I doubt this will ever go viral, but the way has been opened: here’s the first meme dedicated to this blog. (Text says: Your expression when a new Bizzarro Bazar post is up.)

(Bruno Boborosso Craighero: Facebook, Instagram)

Elena Nisi went as far as to turn me into a comic book hero. And the detail that made my day was the allusion to my friend and BDSM expert Ayzad, whom I can only picture as the villain here: I’d give anything to read the issue in which I finally confront his deadly whips! FSHH! THUD! KA-BOOM!

This photo perfectly describes what happens when the deadline for submitting a new book to my editor is approaching.

(Sara Crimilde: Facebook)

I’ll leave it to Mala Tempora to explain his submission, created in collaboration with Viktoria Kiss:

We imagined a hypothetical article on Bizzarro Bazar regarding the Icelandic folkloric monster called Tilberi [a little monster witches can summon to steal milk from sheep, cows and occasionally human mothers – Ed.], and we created two objects to illustrate the story. In this case the collaboration with Viktoria was priceless, as these beings could only be summoned by women.

(Mala Tempora Studio: official website, Facebook, Instagram)

Consuelo & Samantha designed and animated a discordant macabre sonata for skeleton band, and a tear.

(Consuelo & Samantha Art: official website, Facebook, Instagram)

If you’re looking for inspiration for your next tattoo, Seltz got you covered with this refined, elegant and romantic sketch.

(Seltz: Facebook, Instagram)

In this provocative self-portrait, Irene poses as an anatomical Venus, perfectly capturing the ambiguous sensuality of female dissected figures.

(Irene Manco: Facebook, Instagram)

Blue Luna blends clear references to the Capuchin Crypt in Rome (see my book Mors Pretiosa), wunderkammer’s naturalia, and a skeleton with an all-too-familiar goatee.

(Blue Luna: Facebook, Instagram)

The amazing Emanuela Cucchiarini a.k.a. Eeriette, who won the second prize last year, created this unbelievable gouache on crayons, inspired by the jewel-covered relics of martyrs and saints.

(Eeriette: Facebook, Instagram, Twitter)

This work deserves, I think, a honorable mention.
Meewelyne’s illustration may be deceivingly simple. But carefully look at it, and a sense of uneasiness will start to creep up.
A little girl is walking hand in hand with her mother towards what looks like a circus or a fairground; the strokes are gracious and quite reminiscent of Beatrix Potter‘s illustrations. Yet, in the most calssic Freudian declination of the uncanny, some details seem to be out of place, ambiguous and confusing: the mother wears a fox’s head pinned to her waist, and the child’s backpack is made of a bear cub’s skin and bird wings (look at those robins!). Who are they? Why are they so comfortable with taxidermy? Is it a family business, does the mother teach her daughter how to skin and tan animals? Or should we infer that, in this imaginary universe, it’s OK to dress up like that?
This image — despite its delicate line drawing, straight out of a children’s book  — is hiding an unsettling vein which I really loved.

(Meewelyne Rosolovà: Facebook, Deviantart)

WINNERS

After days of indecision, I decided to opt for a joint third place.

3rd Prize

Another astounding nude self-portrait, but this time quite ironic and wild-eyed.
Chiara Toniolo’s work is deliciously loony, and it seduced me for the enthusiastic, smiling and bright way in which it presents elements that, in theory, should be upsetting.
And let’s face it. There’s the artistic nude, the skull, the kitten: that spells boost in page views.

(Chiara Toniolo Art: Facebook, Instagram)

Joint Third

This year’s surprise was the unexpected participation of mentalist Francesco Busani (a couple of years ago I posted a special feature about him). Being a great collection of ouija boards, Francesco created one especially for Bizzarro Bazar. The philologic attention to details is astounding, from vintage artworks to the use of the original materials (namely masonite) that were employed in the Sixties to build these psychic instruments.
Francesco created only two copies of this board: one stays in his collection, and one is already a part of mine. But I must confess I still haven’t tried to consult it, because if there’s one thing I learned from horror movies is that you don’t fiddle with some things.

(Francesco Busani: official website, Facebook)

2nd Prize

The wonderful Gadiro (Gaia Di Roberto) crafts dolls, plush toys, accessories, pendants and necklaces that are both creepy and kawaii. In order for this mixture to be fresh and original, you need a lot of talent but above all a unique sensibility.
A sensibility that also appears from her words:

The existence of Bizzarro Bazar not only inspired me for my work but it urged me to take this strange path of the “sweet little creepy creatures maker”; in times when I almost felt guilty about nurturing certain interests, this blog and all the people who follow it made me feel less alone, I would say in family.

Looking at myself as a puppet among Gadiro’s dolls, I now feel part of a family, too.

(Gadiro: Facebook, Instagram, Etsy shop)

1st Prize

Look, a mysterious box!
Wonder what’s inside.

A decorated skull?
But what about that kind of microscope slide on the side of the door?

Now I get it!
It’s not a skull, it’s a… Bizzarroscope!

Taking inspiration from one of my very first articles, in which I talked about the extraordinary stenoscopic cameras of Wayne Martin Belger, André Santapaola a.k.a. Elragno built this spectacular instrument which has the purpose of injecting wonder into our worldview.
Thanks to a stenopeic hole in the skull’s right eye socket it is possible to fix reality through the artifice of photography (it’s not by chance the relative viewfinder is labeled Artificialia); by inserting the slide on the left side of the skull, one can watch the world throught the filter of a butterfly wing, a dewdrop, or any other natural element  — and that’s why this lens is called Naturalia.

The label on the forehead reminds us of the third classic element of any wunderkammer, as well as the inevitable result of these explorations: Mirabilia, “marvels” and “awe”.

Thus Elragno wins the 1st prize with a particurlarly well-crafted object, but above all for its very sophisticated concept: “the Bizzarroscope […], just like Ivan Cenzi’s writings, allowes us to see the world from a different perspective, in which the “observed” becomes a means for observation.
It’s like saying: the passion for the unusual spurs from the desire to change one’s own way of looking, and Wonder is the key to discover new, unexpected horizons.

(Elragno Creations: Facebook, Instagram)

If you particularly liked some of these works, make sure you show the authors your appreciation in the comments!
Over the next few weeks I will be sharing on social media all the submitted works which do not appear here.
Once again, thanks to all contestants, you cheered me up and moved me  — and I hope you had fun.

BB Contest Awards

The first Bizzarro Bazar Contest ended on Sunday at midnight.
In the last few weeks I found myself facing a problem I, quite naively, had not forseen: I didn’t expect the entries to be so many and of such high quality.
Nearly fifty works, all so diverse and imaginative — I assure you I’m not exaggerating, in a few lines you’ll see for yourself. Choosing just three among them to be awarded was very tough: I hesitated for days, and kept changing my mind, going through all of them over and over. But again, this is also part of the game.

And to me it was not just a game.
This blog is alive by virtue of passion, and even passions sometimes need to be revived: so I owe all of you, who spent time and energy to participate, way more than a simple thank you. The love and enthusiasm you showed during these days gave me more strength than you can imagine.

But enough talking.
Before unveiling the three awarded works, here’s a selection of the others. I cannot post all the entries, so don’t be offended if you do not see yours: in the next weeks I will publicize on social media all the works that couldn’t be included here, with links to the authors.
Alright, let the weird parade begin!

When you really need some sleep, but your parasitic twin wants to keep on reading Bizzarro Bazar.
(Greta Fantini: Facebook, Instagram)

Ladies and gentlemen, step right up!
This drawing conceals a heap of allusions to old posts, from the vegetal lamb to the Sutherland sisters, from the Rat King to surrealist parties, to the flying tailor.
(Nike: Instagram)

Francesco Barbera contributed with a suggestive short story, entitled The Original Sin, which for its atmosphere reminded me of Ray Bradbury’s narrative style: you can read it here [Italian only].

Breaking news: good old Ed Gein was crazy.
Crazy about Bizzarro Bazar’s merchandise.
(Big Man Illustrator: Instagram)

Giorgia built a real homepage for this blog, complete with HTML code to click through the various categories (the code is not implemented here, this is just the picture). The result is a gorgeous wunderkammer-like collage that would certainly appeal to Terry Gilliam.
(Nutjshell: Instagram)

The blog as a wunderkammer is also the concept behind Eleonora’s personal artistic vision.
(Eleonora Helbones: Instagram, Facebook)

Embarassing moments: you’re about to waltz with your siamese skeleton, but you forget having hidden your collection of flying eyeballs inside the grammophone. I hate it when that happens.
(Domenico Venezia: Instagram)

Sara designed the essential gadget for the stylish, who care about details and who wish to stand out even in the most trivial situations.
Never end up in the morgue again without a customized Bizzarro Bazar toe tag!
(Sara Crimilde: Facebook)

OrcheStrafottente wrote a jingle called Bizzarro Bazar, and performed it on the most unusual and weird instruments: dan moi, practice chanter, hulusi, toy piano, plastic hose, nose whistle, bird call, voices, elephant bell.
(OrcheStrafottente: Facebook)

This is me, in magician mode.
(Entracta: Instagram)

This is me, in memento mori mode.
(Vicky Void: Instagram)

This is me, in Fiji mermaid mode, the most classic of sideshow gaffs. (A mermaid with a goatee, I say, what is this world coming to.)
(Esoterismo Simon Mago: Facebook)

This is me, in anatomical specimen mode, and subjected to a fitting retaliation.
(Gli inetti: Instagram)

This is me, in voodoo doll mode. Death pulls my strings, but I pull the strings of a second puppet with his features. In your face, Mr. Grim Reaper!
Like saying: we’re all puppets in the hands of death, there’s no way around that, but maybe we can learn to control fear by domesticating it and “playing” with it….
(Kiria Eternalove: Instagram, Facebook)

This is me when I’m invited to a birthday party and I didn’t have time to buy a proper present.
(Il Decimo Mese: Instagram, Facebook)

A wunderkammer necklace, to turn yourself into a walking museum of wonders.
(Cher_macabre00: Instagram)

Alice submitted an autobiographical short tale, Story of A. [Italian only], that really moved me: it’s about a moment in her life many of us can relate to — when we discover that our curiosity, often considered too “morbid”, in time can turn out to be our greatest asset.

Cecilia sends her “double” wishes for the blog’s birthday.
(Cecilia Murgia: Instagram)

Guenda, passionate about recycled and found objects craft, remade the Bizzarro Bazar logo by weaving it with human hair, in the fashion of Victorian mourning embroidery.
(Guenda Flower: Facebook, Blog)

This still life by Gianluca Tommasi (a.k.a. TheDancingLeper) might fool you: in reality it’s not a painting, but a photograph.
Don’t believe it? Here’s the bejind-the-scenes:

Another beautiful memento mori photo, with mourning accessories, hourglass (tempus fugit), phrenologic head and palmistry hand.
(Seby Mauro: Facebook)

This “Punished Suicide” is holding in her hands a skull that looks familiar.
(Chiara Noemi Monaco: Instagram)

Long-time reader Pina Fantozzi dedicated a spectacular acrostic to the blog (even if she had some trouble, she says, due to the “abundance of voiced alveolar sibilant affricates“).

The most colorful and psychedelic of the contest entries.
(Elena Macrelli: Instagram)

Lon Chaney, sporting a Bizzarro Bazar top hat, and an authentic little child’s skeleton are featured in this picture taken by one of the greatest human skull collectors and photographers.
(Gnat Tang: Instagram, Facebook)

A chemical-alchemical vanitas drawn by da Marco, who is a wunderkammer antique dealer by trade.
(Marco Genzanella: Instagram, Facebook)

Simona’s surreal wunderkammer.
(Simona Trozzi: Facebook)

A mysterious crate from Papua New Guinea? What’s inside?

Of course, an exclusive Bizzarro Bazar penis gourd (koteka)! Wear it at the next cocktail party to redefine the concept of ethnic style!
(Mala Tempora: Instagram, Facebook)

WINNERS

3rd Prize

Third prize goes to Nicole Beffa who created this skeleton intnto on drawing the Bizzarro Bazar logo.
I was struck by the originality of the technique (pyrography) together with the unusual base material (deer scapula), but most of all by the “meta-narrative” vertigo this work entails: a bone containing a skeleton drawing a skull. Could you ask for more?
(Nicole Beffa: Facebook)

2nd Prize

This gouache by Emanuela Cucchiarini, known professionally as Eeriette, is a feast for the eyes and conquered me for its use of color, for the choice of represented “wonders” (those seashells are just beautiful) and for the strong personality displayed throughout the whole work.
(Emanuela “Eeriette” Cucchiarini: Instagram, Facebook, Twitter)

1st Prize

Paola Cera’s oil painting earned the first prize for its essential elegance: the hydrocephalic skull (which has been this blog’s icon right from the start, and always looked to me like a metaphore for a mind ready to “swell” with curiosity) is placed within the picture in a perfectly contextualized way, between the two other emblems of the strange and the marvellous. Such a refined synthesis of circus references and naturalistic and macabre allusions was no easy task; Paola succeeded in creating a work that, in my opinion, is stylistically excellent.
(Paola Cera: Instagram, Facebook)

I wish to express once again my gratitude to all the entrants, and remind you that in the next few weeks I will be posting on social media the many wonderful works that did not appear here.
If you would like to congratulate some artist that in your opinion was unjustly excluded from my Top 3, feel free to do so in the comment setion below.

In closing, I hope you had as much fun as I did.

Reportage Bizarre

Quest’anno al Festival di Cannes il cinema italiano emergente è stato ben rappresentato da un cortometraggio intitolato Lievito madre, che si è aggiudicato il terzo premio fra i sedici corti presenti nella sezione Cinéfondation, dedicata alle scuole di cinema del mondo. Si tratta del saggio di diploma del giovane regista e fumettista romano Fulvio Risuleo, 23 anni, realizzato all’interno del prestigioso Centro Sperimentale di Cinematografia di Roma.

Lievito madre racconta il più classico dei triangoli – lui, lei, l’altro; eppure la vicenda acquista toni fantastici e grotteschi in quanto l'”altro” non è in questo caso umano, bensì fatto di acqua, farina e lievito… e dotato di una sua particolare “vitalità”.

https://vimeo.com/95212092

Prima di Lievito madre, Risuleo aveva diretto nel 2013 il cortometraggio Ghigno sardonico, che prende spunto dalle tecniche di ascolto della presunta “voce delle piante” negli anni ’70 (ne avevamo parlato in questo articolo) per arrivare a un violento e comico climax.


Se già questi primi cortometraggi dimostrano uno spiccato gusto per il surrealismo, Fulvio Risuleo conferma la propria idea di cinema con il suo ultimo lavoro, intitolato Reportage Bizarre.

Si tratta di un progetto cinematografico per il web, girato nella più totale indipendenza produttiva e creativa, che si propone di esplorare una Parigi inconsueta e sconosciuta. Reportage Bizarre è composto di 20 diversi video-frammenti che lo spettatore seleziona “alla cieca”: il percorso casuale può inizialmente far sembrare il tutto una sorta di disorganico archivio di found footage, finché non si cominciano a notare alcuni personaggi ed oggetti che ricorrono con frequenza sempre maggiore, costruendo diverse, intriganti linee narrative.
Un misterioso uomo claudicante che compare in diversi punti della città, un investigatore alla ricerca di un assassino, una ragazza con un cerotto blu sulla fronte che si ritrova alla fine di una relazione sentimentale, l’onnipresenza del durian (frutto esotico di cui avevamo parlato qui), strani dinosauri-giocattolo di plastica rosa che spuntano nei momenti più inaspettati, una setta di artisti underground con un’ossessione segreta… a poco a poco si delinea un affresco misterioso e per certi versi lynchiano, in cui Parigi disvela il suo volto simbolico sommerso.

Ecco la nostra intervista a Fulvio Risuleo.

Innanzitutto, com’è andata a Cannes?

I francesi mi hanno accolto bene. È stato bello vedere centinaia di persone alle proiezioni e rispondere alle domande dei curiosi. Cannes è un gran festival perché ha in sé la cultura ufficiale e le ricercatezze di nicchia; il tutto presentato con la stessa importanza e visibilità.

Quale tipo di cinema ti interessa?

A me interessa il cinema con delle idee in grado di mostrare la realtà in maniera diversa. Se per realtà si intende la vita di tutti i giorni. Quando mi capita di pensare una storia, alla fine succede che contiene sempre qualche elemento surreale o strano. Non ci posso fare nulla. Quello che mi sforzo di fare è renderlo più credibile possibile per poter arrivare meglio nella testa dello spettatore.

Puoi parlarci dei tuoi referenti (letterari, artistici, cinematografici)?

Le idee sono alimentate per lo più dal quotidiano. La lingua italiana è piena di elementi figurati che sono miniere di storie. Aprono molto la testa… ecco, per esempio, già la frase “aprono molto la testa” dimostra come un’espressione figurata possa suggerire un’idea splatter. Altre ispirazioni me le danno i mostri, quelli dentro di noi e quelli che ci sono da sempre e vivono liberi nel mondo esterno. In più, tutte le volte che qualcuno mi dice “non sai che mi è successo oggi”, oppure “ma lo sai cosa ho letto ieri”, ecco, tutti i racconti che seguono mi ispirano molto.
Credo che anche Roland Topor ragionasse così, e lui è un artista che stimo e studio.

Da dove nasce il tuo evidente interesse per l’assurdo e il bizzarro? Come lo coltivi?

Ignoro da dove nasca. Quello che so è che spesso con un’idea bizzarra, assurda, si possono affrontare questioni difficili da mostrare realisticamente. Spesso si riesce ad essere anche meno retorici con un’immagine o un suono che appartiene al mondo dell’insolito. Sicuramente è un bel modo per essere universali, perché tutti sognano, tutti hanno fobie, tutti hanno dei feticci. A patto che anche nell’idea più strana si possa trovare intimità e calore.

Come è nata l’idea di Reportage Bizarre? E come sei riuscito a realizzarlo?

Dopo tre anni di Centro Sperimentale di Cinematografia passati a esercitarmi con corti cinematografici professionali, ma dal processo creativo abbastanza lento, volevo fare qualcosa di completamente diverso. Tanti motivi mi attiravano verso Parigi, molti dei quali inconsci. L’idea era quello di fare un reportage mostrando le miei sensazioni in quella città che conoscevo solo per il riflesso della sua fama. Per poco più di un mese ho vagato a caso per i quartieri, tanta gente mi ha aiutato consigliandomi le cose più strane da vedere. Ho trattato questo progetto come un taccuino di appunti filmati, esplorando Parigi come fosse un paese esotico. Atmosfere, idee a cuore aperto, pezzi di film, scene scartate e visioni varie. Poi tornato a Roma un gruppo di fidati collaboratori mi ha aiutato a dare una forma a tutto ciò.

Questo progetto, libero e sperimentale come solo un lavoro indipendente si può permettere d’essere, mostra insieme ai tuoi due corti una linea definita, un progetto ben preciso – insomma, una tua “missione” cinematografica e artistica.

Personalmente mi interessa continuare una ricerca sul linguaggio e sui diversi modi per narrare. Ma mi interessa anche che qualcosa possa cambiare in un futuro prossimo nel nostro paese. Mi piacerebbe contribuire a far ritornare il fermento in Italia. Questo, al di là di essere un momento di crisi economico, è un momento di crisi degli umani: i registi, i produttori e tanti artisti in generale sono diventati egoisti, poco interessati alla ricerca di strade meno facili, e soprattutto poco curiosi. Personalmente non mi riesce di stare fermo, e certe volte è proprio una dannazione.

Cattura2

Ecco il sito ufficiale di Reportage Bizarre.
Fulvio Risuleo, in qualità di illustratore, ha partecipato anche al progetto Parade, che ho prefazionato.

F.A.Q. – Peggior Tassidermia

Caro Bizzarro Bazar, ho visto che nel tuo blog ti sei occupato spesso di tassidermia. A quale esemplare daresti il premio di “animale peggio impagliato al mondo”?

Caro lettore, la scelta è davvero ardua. Il sito Crappy Taxidermy raccoglie da anni i risultati delle peggiori tecniche tassidermiche. Ma se dovessimo scegliere, il nostro premio andrebbe senz’altro al famigerato leone di Federico I di Svezia, più per motivi storici che per effettiva bruttezza: c’è di peggio, certo, ma nessun esemplare ha alle spalle l’affascinante e umanissima vicenda che si narra a proposito di questo animale.

Regalato nel 1731 al Re svedese dal Governatore di Algeri, il leone fece andare Federico I in visibilio, tanto che lo volle conservare imbalsamato. E fin qui, niente di straordinario, se non che il tassidermista di corte, a quanto sembra, non aveva mai visto un leone. Pensate adesso all’ansia, alla pressione e all’angoscia di questo povero imbalsamatore, con il fiato del sovrano sul collo… immaginatelo mentre, a partire da quattro ossa e dalla pelle dell’animale, e magari prendendo spunto dalle raffigurazioni araldiche o da qualche vecchia pergamena naturalistica, cercava febbrilmente di risalire all’anatomia corretta del grande felino…  in lotta contro il tempo per soddisfare l’entusiasmo del Re.

Il risultato è scusabile, oppure no? Sta a voi decidere. Noi, intanto, gli assegniamo il nostro Grand Prix.